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I’m honored to receive this years’s OPC’s Olivier Rebbot award for Japan’s Nuclear Refugees and the OPC’s Feature Photography award for photos taken inside North Korea.
But the biggest thrill at tonight’s black tie dinner will be watching Joao Silva stand and light the ceremonial candle to remember fallen friends.
Thank you to National Geographic senior editor Susan Welchman who shares this Olivier Rebbot award. Also NGM’s Kurt Mutchler and Ken Geiger who pushed for this difficult story assignment and trusted me. A huge thank you to Noriko Hayashi who assisted me on this story, and the “dog catchers” Leo and Hiroshi Hoshi.
Thank you to The Associated Press. Our CEO Tom Curley believes in the power of photojournalism and had the vision to push for an AP bureau in the otherwise isolated country. Thanks also to Kathleen Carroll, John Daniszewski, Santiago Lyon, Greg Baker, and Brian Carovillano for helping to guide and push it through. A huge thanks to the AP colleagues who work day to day on the ground in the DPRK. Jean H. Lee, Raf Wober, Ng Han Guan, Vincent Yu, and Tim Sullivan. 
Here’s a link to the announcement in PDN
Here’s a TIME magazine Lightbox post showing my work and the work of fellow winners Pete Muller and Andre Liohn.
Bravo to friends Yuri Kozyrev, Stephanie Sinclair, Todd Heisler, and Sebastian Liste for award citations.

I’m honored to receive this years’s OPC’s Olivier Rebbot award for Japan’s Nuclear Refugees and the OPC’s Feature Photography award for photos taken inside North Korea.

But the biggest thrill at tonight’s black tie dinner will be watching Joao Silva stand and light the ceremonial candle to remember fallen friends.

Thank you to National Geographic senior editor Susan Welchman who shares this Olivier Rebbot award. Also NGM’s Kurt Mutchler and Ken Geiger who pushed for this difficult story assignment and trusted me. A huge thank you to Noriko Hayashi who assisted me on this story, and the “dog catchers” Leo and Hiroshi Hoshi.

Thank you to The Associated Press. Our CEO Tom Curley believes in the power of photojournalism and had the vision to push for an AP bureau in the otherwise isolated country. Thanks also to Kathleen Carroll, John Daniszewski, Santiago Lyon, Greg Baker, and Brian Carovillano for helping to guide and push it through. A huge thanks to the AP colleagues who work day to day on the ground in the DPRK. Jean H. Lee, Raf Wober, Ng Han Guan, Vincent Yu, and Tim Sullivan. 

Here’s a link to the announcement in PDN

Here’s a TIME magazine Lightbox post showing my work and the work of fellow winners Pete Muller and Andre Liohn.

Bravo to friends Yuri Kozyrev, Stephanie Sinclair, Todd Heisler, and Sebastian Liste for award citations.

On March 11, the one year anniversary of Japan’s tsunami, please check out Dispatch From Tohoku: Documenting the Aftermath.
Organized by Jake Price, and curated by Elissa Curtis, Dana Kien, & Jamie Wellford, the projection will include work from Price, James Whitlow Delano, Kyoko Hamada, Dominic Nahr, Kosuke Okahara, Q. Sakamaki, Takahashi Munemasa, Midori Curtis, and me. 
Doors open at the Bubble Lounge at 6pm and projections begin at 7:30 and 9:30. 
Proceeds will help support Art in a Box which brings supplies to children impacted by the disaster. 
Here’s a write-up in the New Yorker’s Photo Booth blog- Postcards from Tohoku: Japan, One Year Later 

On March 11, the one year anniversary of Japan’s tsunami, please check out Dispatch From Tohoku: Documenting the Aftermath.

Organized by Jake Price, and curated by Elissa Curtis, Dana Kien, & Jamie Wellford, the projection will include work from Price, James Whitlow Delano, Kyoko Hamada, Dominic Nahr, Kosuke Okahara, Q. Sakamaki, Takahashi Munemasa, Midori Curtis, and me. 

Doors open at the Bubble Lounge at 6pm and projections begin at 7:30 and 9:30. 

Proceeds will help support Art in a Box which brings supplies to children impacted by the disaster. 

Here’s a write-up in the New Yorker’s Photo Booth blog- Postcards from Tohoku: Japan, One Year Later 

This year’s POY awards are out now. I landed a few mentions:
Photographer of the Year, 2nd Place
Japan’s Nuclear Refugees was named a finalist for POY’s Global Vision award. 
Susan Welchman, who edited the Japan’s Nuclear Refugees story for National Geographic, won 1st prize in News Story Editing for Magazines.
Afghanistan’s Opium Wars story editor Sarah Leen received an Award of Excellence in the Issue Reporting Story Editing for Magazines category.
I also got a 3rd place in POY’s Impact 2011 category.

This year’s POY awards are out now. I landed a few mentions:

Photographer of the Year, 2nd Place

Japan’s Nuclear Refugees was named a finalist for POY’s Global Vision award

Susan Welchman, who edited the Japan’s Nuclear Refugees story for National Geographic, won 1st prize in News Story Editing for Magazines.

Afghanistan’s Opium Wars story editor Sarah Leen received an Award of Excellence in the Issue Reporting Story Editing for Magazines category.

I also got a 3rd place in POY’s Impact 2011 category.

I’m so grateful to National Geographic Magazine, and the AP, for supporting the coverage of Japan’s Nuclear Refugees. Special thanks to NGM editor Susan Welchman, The Hoshi Family, and assistant Noriko Hayashi. World Press Photo 2012, 3rd prize General News stories. 
And here’s a list and links to my past WPP recognized photographs.
2009 2nd Prize, People in the News
2006 1st Prize, Daily Life stories 
2005 1st Prize, General News
2005 2nd Prize, Sports Features
2004 1st Prize, Daily Life
2001 2nd Prize, People in the News

I’m so grateful to National Geographic Magazine, and the AP, for supporting the coverage of Japan’s Nuclear Refugees. Special thanks to NGM editor Susan Welchman, The Hoshi Family, and assistant Noriko Hayashi. World Press Photo 2012, 3rd prize General News stories. 

And here’s a list and links to my past WPP recognized photographs.

2009 2nd Prize, People in the News

2006 1st Prize, Daily Life stories 

2005 1st Prize, General News

2005 2nd Prize, Sports Features

2004 1st Prize, Daily Life

2001 2nd Prize, People in the News

 

No-man’s land attests to Japan’s nuclear nightmare
AP has put out an extended set of photos I made inside Japan’s nuclear exclusion zone and of the displaced people who fled their contaminated hometowns.  The pictures were made between April and August of this year while on assignment for National Geographic Magazine.   Text essay by AP Tokyo news editor Eric Talmadge, the reporter who logged more hours in Fukushima than any other in 2011.
Boston.com The Big Picture features them here too.

No-man’s land attests to Japan’s nuclear nightmare

AP has put out an extended set of photos I made inside Japan’s nuclear exclusion zone and of the displaced people who fled their contaminated hometowns.  The pictures were made between April and August of this year while on assignment for National Geographic Magazine.   Text essay by AP Tokyo news editor Eric Talmadge, the reporter who logged more hours in Fukushima than any other in 2011.

Boston.com The Big Picture features them here too.